REMAP is a collaborative multi-disciplinary art project, conceived by Anna Adler, Julia Rooney, and Corinne Cappelletti after volunteering at some of New York’s homeless shelters during More Art’s Engaging Artists fellowship program.
The goal of the project was to create a mutual partnership between the homeless and formerly homeless residents of the city through various modes of social and physical interaction (such as art making, cooking, and somatic movement exercises).
This took place during several workshops where both homeless and formerly homeless individuals discussed their personal experiences living in New York City (whether in homes, shelters, or on the streets or subways) and what it means to belong to a place, to travel within that place, or to be displaced from a place you call home. Participants mapped out their various and diverse paths in their lives. In doing so, they discovered a strong sense of belonging to a community and claiming New York City as home.
Learning is best achieved when the teacher/facilitator (in this case the three artists) and the students/participants are in collaboration and there isn’t an authoritarian separation of power. Learners come into the educational setting with prior knowledge and experience, which a good teacher will help them to expand upon in new and unique ways. In this manner, education can have profound results for social change. Dewey (1897) wrote that “education is a regulation of the process of coming to share in the social consciousness; and that the adjustment of individual activity on the basis of this social consciousness is the only sure method of social reconstruction.” REMAP is an example of critical pedagogy, where the artists employed instructional scaffolding techniques (compelling guidelines, resources and materials, advice, modeling a task, and inspirational ‘coaching’, to name a few), which gave the participants autonomy and confidence to empower themselves and each other in a democratic environment.
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